Creative Commons

•June 18, 2013 • 2 Comments

Several days back someone mentioned a person (colleague?) from my past.
This brought up many images and thoughts. One of which I hold strong to:
People that feel they’ve arrived at a design idea/concept before anyone else are simply, delusional.
Most likely if you’ve thought of it (a design/concept) it has already happened.

This holds true particularly in the art & craft world of Goldsmithing, silversmithing, and flame-working glass- mandrel wound bead making. Bead ladies (a seemingly derogative term used by some in the flame-working community) wrap molten glass around steel rods that have a protective ceramic coating, in order to remove the ‘beads’ created after they’ve been annealed in a kiln or ‘annealing’ oven.

Lamp-worked or flame-worked beads have been around, and made for something like, 3,500 years. Dots of molten glass are added to build up the design or add pattern. This is clearly nothing new, and for whatever it’s worth- ‘your’ design has most likely already been done. The only techniques that seemly differentiate one dot, raked, shaped bead from another might include; electro-forming onto the glass, etching patterns onto the glass, painting on the glass… other than that it has more than likely been created, that bead.

Many artists draw inspiration from the ocean, from biology. This is nothing new.

Without further adieu I am including the following information along with ALL of my work, Creative Commons Attribution-ShareAlike 3.0 Unported License.
For now it will encompass everything up and viewable on my nanopod.etsy.com shop/store. However, it also includes my audio on SoundCloud, and any future works posted here or there.
I am not in the least bit threatened by what other people may consider copycats, plagiarism, copying. For who am I to say that my vision of molecular structures, Human anatomical organs, oceanic life forms real or imagined that I bring into form through glass, or metal, or fabric, felt, clay or whatever other materials I may draw inspiration from, have not been considered before. What an arrogant ass I would be to think that I was the first and only to conjure up an idea drawn from such inspiration. ??

For instance, I love jellyfish. I enjoy creating renditions of jellyfish in glass.
I thought of putting jellyfish into glass when I saw someone create a mushroom in glass. I though, ‘WOW, instead of a stem I could add tentacles!” Turns out other people came to that same conclusion, many times over, and many times before I had. Well, to differentiate mine from theirs I fabricate metal components around my glass jellyfish. They are a ton of work to make so, I don’t make them all that often.

Human anatomical heart: In the 90′s I hand fabricated anatomical hearts through sawing, piercing and repousse work. I would sometimes add Italian branch coral for veins, and etch words onto the hearts. Last time I made these brooches was in 1995 for the Metalarts Fair at Fort Mason Center in San Francisco.
When I started working with hot glass one of the first things I wanted to make (after a mandatory paper weight) was a Human heart! Which I did. Granted the colour that was available was a creepy fleshy coral tone so, the heart ended up looking like some Mathew Barney or Cronenberg nightmare! In a good way ;)

Perhaps I feel this way as the years pass, and feeling like it is all so silly in an age of ‘Content Makers’ to freak out every time you see something similar to the wheel you believe you’ve invented. For whatever it is worth I have been moving in a completely different direction since I first laid eyes on a flame-working torch, metal-smithing and materials in general. Only time will tell.

Meanwhile, have fun. Be inspired! Move forward!

Creative Commons License
All work by Tosca Teran is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Based on work at http://www.nanopod.etsy.com.
Permissions beyond the scope of this license may be available at http://www.nanopod.tv/nano_bio.html

Project Grant: update #1, June 7

•June 7, 2013 • Leave a Comment

It’s Friday.
I’m still coming down from all the work, and energy involved in creating BEAST though, I managed to get into the studio a couple times within the past 2 weeks. This ‘crash’ was unexpected. Full disclosure: I’ve been dosing on B12 & B6. Until I ran out, all was well.
The visit with Kiah Rainbolt (wicked last name, no?) and Laura Puska was SO needed and necessary! However, their leaving left me very aware of how starved I’ve been (and am) of like-minded connection, conversation, dialogue… Resonance. I was utterly immersed in it when I attended Penland, and Pilchuck. When I revisited Seattle for the Pilchuck PAIR that turned into a PPAIR (personal professional artist in residence) hanging out with Patricia Davidson and studying with Carla Grahn while house-sitting for Sarah Hood.
My like-minded soul sistahs live far and away.

Today the weather in Toronto is mildly reminiscent of Iceland (which I DO NOT mind) even if unusual. Anyways, thought I would update this here blog. Specifically, how the new project is coming along.
A couple weeks ago I placed a decent sized order through Bullseye Glass (with Project Grant monies). Sarah Givens was super helpful, and just all around awesome in helping and guiding me through the order and shipping process.
I’m turning one of my kilns into a Vitrigraph kiln! Which involves vermiculite board, a collar to add height, a wire shelf unit (which I’m already in possession of), a Vitrigraph pot (or terra cotta pots), and glass. Sheet glass in this instance.
The Bullseye order arrived last week,

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and now I’m waiting (the suspense is killing me!!) for Arrowsprings to finish up the collar for my kiln, and ship it out. :)
The kiln I’m converting is Arrowsprings’ AF138 – it’s a sectional kiln.

20130607-140226.jpg the collar will make this kiln 9″ deep.

I’m starting off with a fairly monochrome palette and will be focussing on pulling murrini of concentric circles.
Kind of like these delicious, chocolate jaw breakers my friends over at SOMA make!

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OK, now I’m feeling like I should either bike over to Greg’s ice cream for a roasted marshmallow scoop or SOMA, and maybe smile at Andrei until he buys us a jar of these jaw breakers (they aren’t sold individually! Boo hiss).
Thanks for stopping by! xoxoxo

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Beastly boots

•June 3, 2013 • Leave a Comment

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Just wait ’til you see these babies on!

work in progress

•June 1, 2013 • 1 Comment

bubble eggMay 2013. Working on Beast.

Film shoot of BEAST still scheduled for mid-June. Meanwhile, here are some ‘teaser’ images.

Artist: Laura Puska as, Mother

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Above test sequence shows Laura walking in glass platforms. Which proved difficult!

Iacta alea est

•May 10, 2013 • 2 Comments

Several months back I applied for a project grant through the Glass Art Association of Canada.
On this rainy afternoon of May 10th, I received incredibly wonderful news: I am the recipient of GAAC’s 2013 Project Grant!!!!

Description of grant request:

To research and create a new body of work built from vitrigraph cane and murrini.

My jewellery serves as maquettes and experiments for my sculpture.

The majority of my work draws from my fascination with the artistic representation of natural history, the creation of fictitious places in literature and my interest in Cordyceps fungus – in particular, Cordyceps Unilateralis, a species of entomopathogenic fungus that infects and alters the behaviour of ants in order to ensure the widespread distribution of its spores.
The body of work, An unNatural History created for Urban Glass Brooklyn and featured during SOFA, NY is an example of this passion to bring the micro-cosmos to the macro through metal and glass ‘wearable’ maquettes.
Past work/installations: Descent to Perelandra based upon C.S. Lewis’ Perelandra, and Orbis Tertius based upon the short story of the same title by Jorge Luis Borges were instances where I imagined artifacts, and transgenic organisms that may have been suggested or read between the lines, from these stories.

Research/study:

Various methods of creating cane and murrini in a studio environment, outside of a typical Hot Shop.

Working with stainless steel molds, refractory materials and a Vitrigraph kiln set-up; cane, and murrini will be produced.
This murrini and cane will be cut/sliced and arranged into 2 dimensional and 3 dimensional patterns and structures resembling invertebrates, such as: Melethallia, Phytoplankton and Radiolaria, then tack fused and cast into the cellular forms mentioned above and/or constructed using metal armatures.

Phytoplankton account for half of all photosynthetic activity on Earth. Thus phytoplankton are responsible for much of the oxygen present in the Earth’s atmosphere – half of the total amount produced by all plant life.
I would like to build a new body of work with the goal of creating an installation depicting the ‘spaces in-between’ the molecules that surround us yet, we cannot see. For instance: The air we breath. drawing from 400x imagery of Phytoplankton, Zooplankton, Radiolaria and Melethallia and creating three dimensional sculptural representations from sliced Vitrigraph cane and murrini.

Significance:

Through this research and study of complex cane and murrini created in a small scale studio jeweler’s environment, my goals are to create larger visualizations of my work and share these findings with future students and colleagues by keeping an updated journal on my personal blog and through workshops.
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It is with immense excitement, inspiration, and gratitude that I thank the jurors for this year’s GAAC Project Grant!
Please stay tuned to this blog as I will be sharing all experiments, failures and successes here towards, The Air We Breath.

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Fegur∂

•May 1, 2013 • Leave a Comment

Fegur∂

Headphones on, volume up- welcome, Fegur∂ ;)
https://soundcloud.com/nanotopia/fegur

Maison de Verre – update 16/4/13

•April 16, 2013 • 2 Comments

Holy rollercoaster rides, Batman! The past couple of weeks have been NUTS!!
So, GAAC’s 2013 conference was canceled. 
At first it looked like utter fail-tragedy. My flights to Calgary, not refundable plus suddenly having to pay back a grant. It felt bleak. Out $900+ I cannot afford. Debts piling higher…..
Regardless, I have to complete the work.
Then the creative director of Maison de Verre came through! The show must go on!! That and there’s too many glass artists committed to the cause, exhibits are still taking place, etc., etc.

Exhibition Assistance isn’t going to come through so shipping all these heavy pieces I’m creating is going to be tricky. Financially speaking. Seriously hoping to fill classes for May and June, which will help immensely.
Meanwhile, here are some pics of the last pieces being completed then everything will be assembled.

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Crazy platforms. Foot fetish, indeed. This one shoe weighs (in glass) over 5lbs. :)

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The panniers were completed and shipped from San Francisco a la Thomas Ogden. Who rocks, BTW.
Here’s my pal Natasha quasi-modeling them for me.

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LOL. Just wait until you see them on the actual models with the full costume on! Totes-Amaze!

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The workmanship is flawless.

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Counting down the seconds until I’m finished! This week will hopefully see that happen.
Fingers crossed.
Thanks for stopping by!
Cheers

 
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